Hi-Fi Highlights--March 2008
Chet
Atkins and Les Paul
Chester & Lester
(RCA Nashville/Legacy)
1976/2007
Something magical always seems to occur when
musical masters sit down and jam. Back in 1975, that's exactly what happened
when Atkins and Paul spent a few days together in Nashville, and this disc,
freshly reissued with four previously unheard cuts added to the 10 original
tracks, presents myriad captivating guitar-picking moments.
The duo's interpretation of "It Had To Be
You" is thoroughly dreamy, with Atkins' delicate introduction setting the
tone before Paul who first played the song with his trio decades
earlier carries the melody with near flawless finger work. Two different
takes of the classic "Caravan" are also offered: a traditional arrangement
based on Atkins' 1954 recording and a more loosely executed rehearsal rendition.
Both are impressive. Throughout the album Atkins' country style and Paul's
pioneering proto-pop sound blend perfectly, ensuring that these nostalgic
standards, along with the men performing them, remain truly timeless. --
Jeff Berkwits
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Various
Artists
Did You Know These Stars Also Sang?
(Jasmine)
2007
Everyone knows performers like Lauren Bacall,
Joan Crawford, and Marlon Brando are fine actors, but as the title of this
unusual package asks, who knew they could sing? The two CDs that comprise
the collection address that question, spanning over 20 years of Hollywood
history and showcasing the singing talents of more than two dozen Tinseltown
legends.
Despite consistently poor audio quality (many
of the 55 mono numbers are lifted directly from movie prints), the recording
reveals an ear-opening selection of overlooked vocal gems. Gracie Allen
offers fun flapper frivolity on the title track to the 1939 film Honolulu,
while Jack Lemmon (with June Allyson) provides some enormously inviting
melodic moments on "Temporarily" from the 1956 romantic comedy You Can't
Run Away From It. Other notable readings include hard-hitting Humphrey
Bogart's not-so-tough "twinkie deedle dum, twinkie deedle dee" refrain
on "The Bold Fisherman" (from a 1952 radio show), Susan Hayward's emotional
take on the title tune to the 1955 movie I'll Cry Tomorrow, and the sweet
longing of Ann Sheridan's "In Waikiki" from the 1941 comedy Navy Blues.
Unlike Rhino Records' infamous Golden Throats
albums, which spotlight dreadful celebrity performances, most of the cuts
here are genuinely enjoyable. Some efforts are weaker than others – there's
little question that, after hearing her three contributions, few folks
will ever sing the praises of Barbara Stanwyck's voice – and the ambient
noises (laughter, vocal digressions, etc.) can at times be distracting,
but overall this is a worthwhile collection for folks who enjoy discovering
hidden Hollywood gems. -- Jeff Berkwits
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Tiba
Jukebox Baby
(Fynsworth Alley)
2007
Imagine growing up in a home filled with old-fashioned
furnishings, where the kitchen refrigerator was an antique Coke machine
and pop standards spewed from seven separate jukeboxes. That environment
wholly informs the music of Tiba, a charming chanteuse whose appreciation
of vintage melodies is clearly shaped by her unique childhood surroundings.
The spare instrumentation of the leadoff cut,
"Sway," showcases a sultry voice brimming with vibrato and verve, a beguiling
approach that imparts subsequent numbers like "I'll Be Seeing You" and
"Can't Help Falling In Love" with similar passion and pizzazz. Another
standout effort is "Love Is So Terrific," which Tiba imbues with a fun
Betty Boop bounce. "Earth Angel" is somewhat less successful, with a world-weary
mid-song aside diminishing the composition's inherent innocence. Fortunately,
that's the only significant misstep in an otherwise distinguished 13-track
set of luxurious lounge fare. -- Jeff Berkwits
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